Showing posts with label 31DBBB. Show all posts
Showing posts with label 31DBBB. Show all posts

Friday, May 1, 2009

Male Quilters' blogs and websites

The following list is another "work-in-progress" . . .

I am looking for other male quilters who have an online presence (either website or blog).

So far, my list includes:

  1. Bob Adams -- Bob Adams
  2. Curly Boy -- Curly Boy
  3. Rob Appell -- Rob Appell Designs -- Rob Appell Blog
  4. Jean Pierre Avonts-Saint Lager -- Les Tableaux Textiles
  5. Phil Beaver -- J. Phil Beaver Quilts
  6. Gene Black -- Gene Black, an Alabama Artist
  7. Tristan Robin Blakeman -- Tristan Robin Blakeman Artist
  8. Edward Bostick -- Edward Bostick African American Quilts
  9. Kevin Britton -- Journey of a QuiltGuy
  10. Rich Brote -- Rich, the Quilt Man
  11. Wendell George Brown -- Wendell George Brown
  12. Bruce -- Confessions of a Male Quiltaholic
  13. Greg Bryson -- Flat Out Quilting
  14. Richard Caro --Deus Ex (Sewing) Machina -- A Quiltversation
  15. John Cary -- Quilt Dad
  16. Michael A. Cummings -- Michael A. Cummings, Artist & Quilter
  17. Joe Cunningham -- Joe the Quilter, AKA Joe Cunningham
  18. Glenn Dragone -- yarn + needle
  19. Ken Ellis -- Featured Artist
  20. John Flynn -- Flynn Quilt Frame Company
  21. Jim Gatling -- Jim Gatling's Crazy Creative Life
  22. Tom H -- Quilting and Carving
  23. Brian Haggard -- The Creative World of Brian Haggard
  24. Michael Handley -- State of the Craft
  25. Scott Hansen -- Blue Nickel Studios
  26. Luke Haynes -- Luke Haynes
  27. Simon Henry -- Simon Henry Needle Craft
  28. Carl Hentsch -- 3 Dog Design Co
  29. Henry Holmes -- Henry's Arts
  30. Raymond K. Houston -- Nacho Grandma's Quilts -- Tessellation Nation -- Knotty Celtic Knots
  31. Michael James -- Michael James Studio Quilts
  32. Jack Jeppson -- Real Men Quilt -- Blog
  33. Jeremy -- Sew Like a Man
  34. Alan Kelchner -- Alan Kelchner, Textile Artist -- Alan Kelchner's blog
  35. Mike Kelley -- Mike Kelley's Rainbows
  36. Wayne Kollinger -- Tuxedo Park Design
  37. Kevin Kosbab -- Feed Dog
  38. John M. Kubiniec -- Big Rig Quilting
  39. Eddie Landreth -- The Arkansas Man Quilter
  40. Peter Lappin -- Male Pattern Boldness
  41. Richard Larson -- Quilting Design Studio
  42. Steven Lennert -- Wind River Quilting
  43. Don Linn -- Mr. Quilt's World
  44. Mark Lipinski -- Pickle Road Studios
  45. Patrick Lose -- Patrick Lose
  46. Jay Martin -- You Quilt?
  47. Jimmy McBride -- Jimmy McBride
  48. Rick McGuire -- Rick McGuire, Quilt Nerd
  49. Jim Mikula -- Artwork by Jim Mikula
  50. Scott Murkin -- Scott Murkin
  51. Rick Najdzion -- Whimzee Stitches Designs
  52. Paul Perger -- Outnumbered Quilter
  53. Gerard Quak -- Gerards Handwerken
  54. Shawn Quinlan -- Quiltman
  55. Gert van Raalten -- Real Men Stitch and Sew (written in Dutch)
  56. Daniel Rouse -- Piece and Press
  57. Gerald Roy -- Pilgrim/Roy Antiques and Interiors
  58. Tom Russell -- Tom Russell Quilts
  59. Charlie Scott -- Qubee Quilts
  60. Bruce Seeds -- Quilts.Bruce Seeds
  61. Jonathan Shannon -- The Alliance for American Quilts Interview
  62. Mark L. Sherman -- Remarkable Quilts
  63. George Siciliano -- George Siciliano
  64. John Sims -- John Sims Projects (you gotta skip the intro, then click on "Pi Project," and follow the arrows)
  65. Matthew Sparrow -- ManQuilter.com
  66. David Taylor -- David Taylor Quilts
  67. Ricky Tims -- Ricky Tims, Musician & Quilter
  68. Giles Turnbull -- Touch And Sew
  69. Ben Venom -- Mr. Ben Venom
  70. David Walker -- David Walker: Artist and Web Designer
  71. Dwayne Wanner -- Dwayne F. Wanner, Contemporary Quilter
  72. Jim West -- Sew Many Places -- Scrap Map -- Quiltposium
  73. Lane Wilhite --That Man Quilts?
  74. Kent Williams -- Kent Williams - Art Quilts
  75. J. Bruce Wilcox -- J. Bruce Wilcox
  76. Erick Wolfmeyer -- E. Wolfmeyer Quilts
Do YOU know someone I've missed??

Sunday, April 26, 2009

Celtic knot, tribal bear paw . . .


Complete!!
There are a number of things I learned while making this, on a number of levels:
  1. Design. Overall, I like the design (opposable thumb notwithstanding). I like the use of "pieces" to give the impression of the weavings of a celtic knot; had I done this with bias tape, I think the "weaving" would have been lost (besides, these "pieces" are 1.5 inches wide--I don't think I would care to deal with bias tape that wide). The viewer needs to invest a little something, too; their eyes will roll around as they "connect-the-dots," following the lines of the knots (let's hope they don't get dizzy). For the next version of this design, the toes will be more forward-facing; the second and fourth toes will be oddly-shaped, to fill in what is currently empty space.
  2. Marking. I used a heavy-duty fusible web to attach the pieces to the background material. I traced the shapes of the pieces on the web's paper backing; I fused the web (and paper backing) to the back of my fabric; then I cut out the shapes before peeling off the paper backing. Unfortunately, this means all my pieces were reversed. The alternative would be to trace through the wrong side of the fusible web, but unless I'm fusing to a light-colored fabric, the tracing cannot be seen. Also, whatever I used to trace with would be fused onto my fabric. Here's an idea: trace the design on the BACK of the design, and then trace the shapes of the pieces from that side.
  3. Materials. The fusible web has limited washing directions (cold water wash, gentle; low dry, gentle; do not dry clean). I was going to stitch around the edges of all the pieces, but the manufacturer does not recommend stitching through it. I will have to use a lighter weight fusible web.
  4. More marking. I need to mark the relative positions of the pieces on the background fabric (perhaps with dressmaker's carbon paper and a wheel). Because my pieces were reversed (see #2, above), I had to lay my drawing facedown on the background fabric, then slide the pieces to be fused between the two layers. It was certainly more trouble than it was worth, and I gave up on it after I fused the innermost knots of the "palm."
  5. Quilting. Besides stitching around the shapes (as decoration and to hold the pieces in place in case the fusible gives way), I intend to outline quilt the open areas (kinda like Hawaiian quilting). This could make the design stand out in relief (though I think I'd be the one more relieved, LOL).

(Day 2 of 31DBBB says, "write a list post." I think this qualifies.)

Saturday, April 25, 2009

A celtic knot, tribal bear paw quilt



Yesterday was a productive day in the office (and, I got some work done, too)!!

I spent time working on the celtic knot design . . . I'm very pleased with the results. I scanned the drawing, and made a .pdf file of it, then cropped it and made a .jpeg file of it. I've emailed a copy to the client, and I'm waiting to hear from him.

In the meantime . . .

I emailed a copy to the local copy shop for an enlargement . . . the widest they could go was 36 inches, which is fine for now. I want to make a sample this weekend. I bought some fusible web, and I've decided to use a variety of fabrics I have on hand.

(31DBBB will have to take a backseat this weekend, I'm afraid . . .)

Wednesday, April 22, 2009

An Elevator Pitch . . .

This may be Day #3 of the "Nacho Grandma's Quilts!!" blog, but it's Day #1 of the "31 Days to Build a Better Blog Challenge" (31DBBB) from ProBlogger.net.

Today's Task is to write an Elevator Pitch, an overview of my blog that can be delivered in 30 seconds or 100-150 words (the duration of an elevator ride). I thought long about my target audience; about how to stand out; and, about an intriguing question to ask.

Here goes:

What would you do with millions of quilt blocks made from a single set of templates?

Would you keep them, or give them away?

I have a growing collection of 4-patch and 9-patch quilt blocks made from a single set of templates (16,000,000 blocks, and counting). I have more quilt blocks than I could ever use.

So, I am giving them away.

This blog chronicles how these blocks came to be. It discusses the use of symmetry as a design tool, in a simple manner. It documents the creation of some quilts (some using the blocks I'm giving away, some not). It discusses color theory. It shows my construction techniques.

I invite you to join me on this journey.